Composing for Improvisers

Composing for Improvisers

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Beyond Contrafact part 3

Beyond Contrafact part 2

Beyond Contrafact, Part 1

Presenting Uncommon Chords to Improvisers

How Far Can We Veer From the Page?

A Meditation on Robert Bly's "Form that is Neither In Nor Out" While Thinking of Composing For Improvisors Part Three: Form

Content, Meaning and Form, Part One: Content

The Heritage of Artistic Revelation

Finding Your Own Voice

Modal Inexactitude and Overarching Specificity

Neanderthal Music, More on The Symmetrical Augmented Scale and Giant Steps

Chords and Slash-Chords Derived From The Symmetrical Diminished Scale and an Application of The Bartók Tonic Axis

A Look at the Structure of Heptatonic Systems and Symmetrical Scales

Modal Symbols

Upper Voices

Seventh Chords

Sixth Chords

Added-Note Chords and their Resultant Slash-Chords

Chord Symbols - Triads with Suspensions

Chord Symbols - Triads

Composing for Improvisers

Coming soon

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